What I wish someone had told me before my first class
Before starting life drawing, I had a number of basic questions. Since then, I’ve found out some answers and thought it would be useful to share them with you.
What to expect when the class starts?
There will usually be a naked person – aged anywhere between 20 and 70 years old, male or female and sporting a variety of builds and body types. They’ll be posing in the middle of the room with artists standing or sitting in a wide circle around them with easels or sketch pads on their laps. The atmosphere is usually quiet and tranquil and the people are generally pretty chilled out. Life drawing often becomes quite meditative, so it makes sense that the sessions are relaxed affairs.
There are all sorts of formats for a session but here is a pretty common one:
- the class starts with a warm up pose for around 20-30 minutes.
- Then you’ll practise with quick poses. The model will hold a pose for 2-5 minutes and you’ll do rapid sketches of them.
- Then the poses get longer and you do one long one (maybe 40-60 minutes at the end).
The model can hold more difficult poses when it’s just 2-5 minutes, but for the long poses will have to do something easier. That’s why they’re often sitting or lying down for the long poses.
A lot of life drawing sessions out there are untutored which means there won’t be a teacher giving you exercises or suggestions, you just draw the model as best you can. These are not really ‘classes’ then but more like practice sessions. Fortunately, you can get your technical insights and skills from Love Life Drawing, the website you are currently on!
If the class is tutored, then the tutor may have you doing exercises to practise specific skills – for example drawing the figure without looking at the paper at all, or only drawing the negative space around the model. The idea of these exercises is not to produce beautiful work, so you needn’t be worried about getting it ‘right’. The point is that these different ways of practising train your ability to observe the figure.
In recent years, there have been more innovations in how life drawing sessions run. I’ve heard of classes with multiple models located around the space, and artists walking around and drawing. Sometimes, the class will be about specific exercises, for example drawing a model that is in constant motion or drawing only the negative space around the pose – there’s a lot of potential variations designed to broaden your drawing horizons.
Just recently, we went to a life drawing session held in an actual skip.
What if I’m rubbish at drawing?
I was definitely concerned that my drawings would be rubbish before my first class. But of course, you’re not supposed to be great at something during the first class. That’s why the class is useful – because you improve! In other words, if you feel your drawings aren’t good, then you are exactly who the life drawing class is for. Life drawing classes don’t really involve too much judgement from your peers anyway. You don’t have to show your drawings to anyone except maybe the teacher if you don’t want to.
Instead of worrying about where your drawing level is, you should only concern yourself with your trajectory. Whether you did well in the class depends on whether you learned something. As a beginner, you will learn and improve every time you observe a figure and every time you make marks on the page, so your trajectory is all good as long as you show up. It’s actually harder for the drawing experts to ensure their life drawing sessions are successful. Yes, they might do some great drawings, but if they didn’t learn much, it’s not a very successful class for them. We’ve created a guide for exactly this purpose, which you can download for free HERE.
What to expect from the teacher?
So far, I’ve found that it’s great to have a good life drawing teacher, but not essential. They generally walk around and whisper some one-to-one advice to you for a few minutes (life drawing is often quiet!) and then move on to the next student. Their advice can be really useful, but the contact is short and really you learn from practice, trial and error and techniques from tutorials or online courses (why not try our free Fresh Eyes challenge – it’s a great place to start).
Having said that, at the class I’m going to currently, at the University of London Union (you don’t have to be a student to join), the teacher is brilliant at giving you great tips in the few minutes of contact time he has with you, and this really improves the class. The teacher will also decide on poses and duration of each pose, and a good one will have you warm up with quick poses where you do a quick drawing.
What to bring with you?
Check out this full guide to life drawing equipment. The basic life drawing starter kit would include some decent pencils or sticks of charcoal, a rubber, some paper – preferably at least A3, and a sharpener. You needn’t worry too much about the quality of the paper you use in your first sessions. Newsprint is an excellent type of paper to practise with and is very affordable. More important is to not go with a small size paper (A4 would be the minimum but even that is quite small for drawing figures). Bring something a bit larger, and draw big on it – it might be a little uncomfortable at first but is a great habit to get into.
Often the class will provide a board or something so you have a hard surface to draw on. Ideally, they’ll even have easels. If you’re unsure what they’ll provide, it’s a good idea to bring a board or use a sketchpad supported with good solid card.
What if there’s no classes near me?
If there aren’t any classes near you, then you might be able to hire a model or get a friend to pose for you. Remember that a life drawing model doesn’t necessarily have to be naked, if your friends don’t want to get their kit off for you. Some artists feel that drawing from 2D images will result in flat and lifeless pictures. However, using photo references is effective practice and many fantastic artists learned this way. Just be sure to also draw from life when you can. Try our free reference library by creating a free account here.
How do I know if I’ve found a good class?
The bare essentials for a life drawing class is that a suitably spacious venue is hired for 2-3 hours and a model is hired that is able to maintain a pose for a long time, with decent lighting. It can take a little time to warm up for life drawing, and once you’re in your groove you want to keep going for a while. So much less than 2 hours might not be very satisfying.
One thing that can happen during life drawing is that the model moves such that you need to keep altering your drawing. This is understandable because it can be painful to stay completely still for a long time. It can be tricky for a budding artist though – rubbing out marks all over the page don’t look great! You can learn to make the most of it though – retaining some of the history of the pose in your marks by not trying to erase every line that you had to redraw can make for a fun and dynamic drawing. You will find that as you progress with your skills, small movements in the pose will not bother you as much.
Isn’t it weird looking at a naked person for ages?
Not at all, because of the context. A naked person on the bus would be strange. A naked person at a life drawing class is expected and accepted. It’s clear why they are naked – drawing practice – and that isn’t anything to be embarrassed about. It might feel awkward if there was something sexual about it, but it’s not like that at all (though while researching for this website I’ve seen a lot of references to ‘life drawing hen parties’ which might be a different story!). You are there to draw the human body – it’s one of the best things to do to practise your drawing because we are so familiar with the human body and it’s one of the most difficult and most interesting things we can draw.
To build a solid foundation of life drawing skills that will accelerate your progress as you practise, have a look at our free online course. You might also like to check out our Life Drawing Success guide, which is about avoiding the common pitfalls with learning figure drawing.