Day 13: How to move past the details
When you’re looking at the figure, you can see so many details and so much complexity. One of the most common struggles beginner artists have is getting caught up in details and complexity that isn’t worth their attention.
Look at the shade on this figure. Overall, it’s darker on this side than on the other side. That big transition from light to dark tells you about the big shape of the torso. This side is facing this way and that side is facing the other way. This information tells you about it’s three dimensions.
But also, it’s goes from dark to light with the dips between the individual ribs. These little dips between the ribs don’t tell you anything big like that. They just tell you a little bit about skeletons maybe and that the model doesn’t have a lot of fat there. As the artist you are bringing attention to areas you draw. Are the individual ribs the things you want to bring attention to?
If they are, then that’s great and go for it. But if not, don’t worry about the contrast in light and dark between here and here because that just tells you about the skeleton, and will often lead to a skeleton look to the drawing. Instead, look for the light and dark that tells you about the big, important information.
Here’s an example from one person we are helping with tuition. We asked her to simplify the light and dark into shapes and draw them. In her first attempt, it was clear that she was seeing the shapes of the different values, the light and the dark, but still seeing too much complexity and getting overwhelmed by it.
She was able to then go on to creating more nuanced tones the way she wanted to, based on that much simpler starting point.
So during today’s practice session, be bold enough to discard any irrelevant details in the shadow shapes and just keep the big stuff that tells you something important. Don’t forget to subscribe, we put out tons of great life drawing content here, and I hope you enjoy today’s CroquisCafe session. See you in the next post!